Showing posts with label Carl Reiner. Show all posts
Showing posts with label Carl Reiner. Show all posts

Lily Tomlin...Carl Reiner. Gracious amid chaos at Backlot Film Festival. Former Prez Reagan criticized by comic!


On occasion, this year's "Backlot Film Festival" proved to be a comedy of errors, unfortunately.

For example, on the festive evening the Festival chose to screen "All of Me" and "Dead Men Don't Wear Plaid" on a double-bill.

After "Dead Men" sputtered to a close on the silver screen - Carl Reiner lingered to chat with Lily Tomlin - who was scheduled to appear for a Q & A.

As filmgoers took their seats, a couple of staffers proceeded to set up a couple of chairs and a mic on the floor to the left of the main stage.

Then, Ross Hawkins (founder and director of the Festival) appeared in the dark at the front of the Veteran's Memorial Hall and urged the audience to rise from their comfy seats to relocate to the other side of the Theatre to make for an "intimate" setting for Lily's scheduled intro.

A groan went up from the throng - who were anxious to meet and greet Lily - as they reluctantly uprooted themselves and trotted over to an uninviting darkened section of the auditorium. Not exactly a trained dog by nature, I remained seated where I was in an enviable spot center main stage.

Once everyone was settled in - someone got the brilliant idea to set three chairs on the stage "above the audience" - and fire up a handful of spotlights to capture the zany comedienne in the light.

So, Mr. Hawkins shuffled back and instructed the now disgruntled masses, to move back to their former seats!

Oi veh!


The fiasco could have been lifted right out of an episode of Carl Reiner's popular hit - "Show of Shows" - I tell 'ya!


But, the lunacy did not stop there.

One gentleman - with a claim to fame as a former Mayor of Culver City - chose to get up and tell a couple of anecdotes which summarily dropped to the floor like lead balloons.

In fact, both parties the ad-libs were directed at (Lily and Carl) were baffled by the recollections which they couldn't make hide or tail of.

When the speaker jokingly laughed that he was one of the first officials in Sacramento to get "canned" by Schwarzenegger when the film actor took office, I suddenly heard my inner voice cry out,

"Occasionally, the terminator hits the target, alright."

At this juncture, Mr. Hawkins returned.

Gosh, he loves to get into the thick of things, doesn't he?

At this juncture, he invited Lily (standing in the dark on the sidelines) to step forward for the much-anticipated question and answer session.

Another awkward moment.

Clearly, someone should have led their star speaker up onto the stage. Surely, Mr. Hawkins wasn't suggesting the feisty comic cross the floor to stand by his side in the shadows below the stage?

Ms. Tomlin was forced to spring into action after sizing up the pregnant moment.

"Should I go up on the stage?" she graciously quizzed the befuddled Hawkins.

"Oh, yes, please do," responded Mr. Hawkins - who had obviously not even fathomed the dilemma until it was resolved before his eyes due to the quick thinking of a true pro.

As Tomlin stepped up onto the stage, Mr. Reiner was left behind in the dark, so he returned to his seat. Had they forgotten about one of their star attractions?

At this juncture - as if they heard my inner thoughts - Mr. Reiner was asked to join Lily; so he scrambled up the stairs and crossed the stage to take a seat next to the award-winning actress.

A third man, who suddenly appeared to be the host of the chit-chat session, joined them from out-of-the-blue. But, the awkward moments persisted with him at the helm. For example, there was only one large hand-held mic and the off-putting fellow began to hog the spotlight.

Geez!

Finally, guests started to ask the key speakers insightful questions and that got the ball rolling in Reiner and Tomlin's corners.

Much to the crowd's delight.

It's interesting what tid-bits are dredged up in innocent moments of recall.

For instance, Mr. Reiner underscored what a perfectionist Lily was in preparing for her role in "All of Me". At her behest - for example - quality jewels graced her neck to lend authenticity to the scenes in which her wealthy character appeared.

Right you are, Lily. On camera, real gems sparkle like no other; while fakes dangle without any true dazzle.

Then, Lily noted that Steve Martin was so tight with a buck that she sprang for the cost of the security guard to deliver the gems to the set each day.

"What," Reiner asked incredulously, "He told me he paid for that."

The crowd roared.

Yes, Lily noted for the record that she put up the 10,000 smackeroos to cover the cost of insurance and the services of the security guard who surreptitiously appeared each day with a metal suitcase containing the jewels handcuffed to his wrist.

Just like in the movies!

Now, the conversation drifted to their personal lives and the old-world charm of Los Feliz.

"Lily lived in the W.C. Fields mansion," Reiner gushed to an amazed crowd who oohed and aahed among themselves in the footlights at the prospect.

Ms. Tomlin noted that W.C. disliked Deana Durbin's vocalizing (the legendary star was a neighbor, after all) so - to get back at her - he was inclined to gleefully shoot bee-bees at her Swans in the lily pond when she was out of sight.

Apparently, the De Mille house was down the street as well, next to Chaplin's.

Talk about synchronicity! After the discussion about the De Mille house, I picked up the newspaper on the weekend and noticed an article on the history of the home which is currently up for sale.

The restored Beaux Arts estate where the legendary Studio head resided for forty years is 9,700 square feet, sits on 2.1 landscaped acres, and is listed for 26.5 million dollars. Out of my league, to say the least.

On a negative note, Mr. Reiner noted how disgruntled he was with Ronald Reagan in his heady glory days.

The comic noted with disdain that he was at the fateful meeting where Ronnie cast a deciding ballot that resulted in actors being barred from receiving residuals for roles performed in projects prior to the sixties.

"I was shocked by his actions," Reiner recalled.

The veteran performer went on to note that in spite of the fact there was not any legal requirement to do so, his office sent out checks in the sum of $10,000.00 to each actor that was still alive to compensate each for "film clips" the producers facilitated for key scenes in "DEAD MEN DON'T WEAR PLAID".

Admirable, huh?

When asked if he made any efforts to "preserve" his work over the years for posterity, he laughed out loud and quipped,

"I don't have enough time to do my peach preserves."

Apparently, Mr. Reiner has resided in the same home for fifty years. He confesses the interior is jammed to the rafters with letters, memorabilia, old photos, tapes, reels of film, you name it.

"One day, I'll invite historians in and they can take the whole lot," he promised.

There was a roar of approval from the rapt audience who hung on every word.

Carl fondly recalled that during the filming of the feature film - "DEAD MEN" - Edith Head (the celebrated costumer designer) - came to the set each day and rested on a cot in a back room to keep abreast of things. Sadly, she passed to spirit - a shadow of her former self - a week after the project wrapped.

A great lady, surely missed by Mr. Reiner and a host of others.

Mr. Reiner made one astonishing admission on stage.

He turned to Ms. Tomlin and noted for the record that he originally wanted to cast "Lily" for the role of Rob's wife on the "Dick Van Dyke Show".

Boy - that will surely raise eyebrows to a handful of TV Historians - and shock the sensibilities of Mary Tyler Moore, no doubt. After all, if I am not mistaken, part of the folk lore of the show includes reminisces about a frantic search by producers to locate the perfect actress for the role.

Until now, "Ms. Moore" was known to have been the chosen one.

Wonders never cease!

In spite of a sputtering start, the talk fest ended up on a positive note.

Ms. Tomlin proceeded to say a few kind words about Mr. Reiner and the longevity of his remarkable career - in view of his pending "Thomas Ince Award" - to be presented at a formal award ceremony on the weekend at a Backlot Film Festival Gala event.

Will they work together again?

God willing, you bet.

Backlot Film Festival...Lucille Ball classic screens. Tribute to Carl Reiner!



Lucille Ball classic to screen...





The 3rd "Annual Backlot Film Festival" returns with an eclectic mix of new releases, old classics, and a handful of intriguing shorts and documentaries.



The mission of the Backlot Film Festival is threefold: to give independent filmmakers the opportunity to showcase their work for industry executives and distributors; to create a better understanding of the motion picture art form of the last one hundred years; to explore the rich film history of Culver City, West Los Angeles and the beach cities of Santa Monica, Venice and Playa del Rey.



This year the program includes World Premiers of fourteen feature-length films, celluloid art pieces by the "Masters" of film, and a catalogue of documentary and shorts sure to be crowd-pleasers.



In addition, there will be Arthur Freed tribute screenings and an awards ceremony.



For example - on Wednesday April 2nd - the much-anticipated annual festival will screen "DuBarry was a Lady" (Arthur Freed) starring the screwball comedienne Lucille Ball, funnyman Red Skelton, and celebrated dancer, Gene Kelly.



"DuBarry" is a must see on the wide-screen.



On a more serious note, there will be a world premiere of the feature - "Chekhov and Maria".



This independent feature is a drama which focuses on the Russian playwright and his sister - who were at odds with each other - over the author's secret marriage.



The filmmaker also zeroes in on the difficulties Chekhov encountered creatively - as he struggled to put the finishing touches on his stage masterpiece - "The Cherry Orchard".



I once starred in a stage production of - "The Marriage Proposal" (a Chekhov comedy) - and won a drama Festival award for my portrayal of the lead character, Lomov.



So, I'll probably want to catch this feature, starring Ron Battitta and Gillian Brashear.



The project was directed by Eric Till.



To top off the first exciting day of events, there will be a World Premier of a Sci-Fi entry - "InAlienable" - which looks like a sure bet.



Guilt-ridden over the death of his family, a man discovers his body is host to a parasite from another world that the government believes is a threat to mankind.



The thriller stars Richard Hatch, Courtney Peldon and Walter Koenig.



The former "Star Trek actor" - Walter Koenig - penned the script.



The independent feature was directed by Robert Dyke.



A Question and Answer session will follow that screening.



This year, the festival bestow the honor of a coveted "Arthur Freed Award" on best student film.



Arthur Freed was a legendary songwriter and producer.



Three of his classy entertaining films - "DuBarry Was A Lady", "Cabin In the Sky", and "Gigi" - will also be screened.



The award will be presented by Stephen A. Saltzman (President of Arthur Freed Productions) who is the grandson of the legendary filmmaker.



In addition, Zev Yaroslavsky (Los Angeles County Supervisor) will receive a "Founder’s Award" for his contributions to the Arts and Film industry.



This year’s "Backlot Film Festival" will also honor gifted comic Carl Reiner (a multi-faceted talent who wears several hats) with the prestigious "Thomas Ince Award" for his contribution to the industry.



Carl Reiner’s illustrious career spans seven decades.



He made his directorial film debut in 1967 with "Enter Laughing".



He went on to direct the comedy, "Where’s Poppa?" (starring George Segal and Ruth Gordon); "Oh God!"(George Burns and John Denver); and "The One And Only" (Henry Winkler).



The legendary entertainer - by virtue of his God-given gifts - has been instrumental in puffing up the careers of other luminaries in the biz such as Steve Martin, John Candy, Kirty Alley and Bill Pullman, to name a few.



Recent film appearances have included blockbuster hits like the "Ocean’s Eleven" series - but old-timers fondly recall his finely-tuned performances in full-length comedy features such as - "The Russians Are Coming", "It’s A Mad World", and the "Slums of Beverly Hills".



In the 1950’s, Reiner’s career initially took off on Broadway when he landed a role in the stage production of, "Call Me Mister".



From there he smartly sidled up to Max Leibman on the "Your Shows Of Shows", which starred Sid Caesar.



After creating the "The Dick Van Dyke Show" (he wrote and directed many episodes) he was inducted into the Emmy Award Hall of Fame.



And, there has not been any looking back since.



The "Thomas Ince Award" is named after Thomas Ince - a pioneer in early film production - who greatly influenced the model for motion picture production standards in the modern day.



Thomas Harper Ince was born into a vaudeville family in Newport (Rhode Island) just before the turn-of-the century.



The precocious lad first graced the stage at age six, often appearing in Broadway hits of the day.



Though motion pictures were held in low regard by serious actors in the early part of the 20th Century, Ince - desperate to spread his wings - abandoned the theater to pursue a film acting career many thought disreputable, at best.



After a handful of on-camera acting jobs with Biograph Films, the young upstart joined forces with Carl Laemmle's IMP Productions, where he was given the opportunity to direct.





Once in the fold - he was fortunate to cross paths with Mary Pickford - whose star was just on the rise.



Laemmle wooed the popular actress from the Biograph Company which was a part of a Motion Picture Trust headed by Thomas Edison.





To avoid legal hassles with The Motion Picture Trust, Ince and Pickford (America's sweetheart was Canadian, like moi!) went to Cuba where they set up production.



Sounds a little like run-away production headaches we hear about today, eh?



The venture ended when their cameraman landed in a Cuban jail!



Both Ince and Pickford moved back to Tinsel town where the golden boy soon gained a reputation for directing films of superior quality.



Tired of the low quality of westerns shot at the time, he sought to combat that problem by putting a whole Wild West show (complete with real cowboys, Indians and a herd of buffalo) on the payroll.



He demonstrated his business savvy, too, when he purchased 20,000 acres of land (which became known as "Inceville") to faciliate as locations for a slew of Westerns he intended to shoot out-of-doors.



Francis Ford directed some of Ince's earlier westerns - which starred a charismatic actor he knew from the Broadway stage - Willam S. Harte.



Thanks to Ince, Harte became the most popular western star of the era.



Ince later built two motion picture studios in Culver City, which included a scene dock and a carpenter shop to build sets. Not to be left idle, he generally presided over the production details of all the films shot on the lot and gave detailed shooting instructions to the directors, as well



On the night of November 19, 1924, Ince was fatally injured aboard the yacht of newspaper mogul William Randolph Hearst.



After the scandal rocked Hollywood, Thomas Ince's film contributions kind-of faded to black; subsequently, his rightful place in Hollywood film lore has become greatly diminished over the years.



Ince's early studio and filmmaking techniques are often put up there today on a pedestal alongside those of film great, W.G. Griffiths.



Past honorees of the award include producer Daniel M. Selznick ("Gone With the Wind") and writer/producer Budd Schulberg ("On The Waterfront"; "A Face In The Crowd").



The festival will also screen two of Carl Reiner’s features, "The Comic" and "All of Me".



A couple of episodes from - "The Dick Van Dyke Show" - will also screen.



See ya there!





Film Pioneer, Tom Ince died mysteriously on Hearst Yacht...


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